women s day greeting cards and women s day sms

Posted by – March 8, 2010

Anyone who has sent an e-mail or paid a bill online knows how convenient and time-saving that can be. Your aunt might still prefer a handwritten letter or a real birthday card, but aside from that, skipping stamps , sms and envelopes is one of the great benefits of the Internet.

This convenience, though, is one of the many reasons why mail volume has fallen off a cliff, pushing up stamp prices and now prompting a Postal Service proposal to drop one delivery day — a painful but necessary start on fixing the post office’s money crunch.

At the heart of the postal predicament is that less mail means less revenue, but mail carriers still have to go to every household six days a week, to the end of remote roads in northern Alaska or to the bottom of the Grand Canyon (by mule, as it turns out). That’s labor intensive and increasingly expensive.

Carriers are delivering less mail to more addresses. Some of last year’s 13% plunge in volume was recession-driven and should come back, but a lot of it is lost forever to the Internet and private deliverers, such as Federal Express. That makes the trend ominous. The service lost $3.8 billion in 2009.

Years ago, Congress made it a self-sufficient agency and barred taxpayer bailouts. The service has survived by cutting expenses and workers, and taking on debt. It’s on track to reach $14 billion in debt by the end of this year, just short of its $15 billion limit.

Something has to give. Last week, Postmaster General John Potter laid out a plan that would do what he says the Postal Service can do legally to cut expenses: shed more jobs through attrition; reduce work hours; consolidate mail-sorting facilities; push new services such as the flat-rate box for package delivery, and so on.

But those steps would reduce the Postal Service’s 10-year projected deficit by only about half, to an unaffordable $115 billion. To close the rest of the gap, Potter is suggesting an array of unpopular moves, such as ending Saturday mail delivery, shutting some money-losing post offices (only about 6,000 of 32,000 operate in the black), raising stamp prices more aggressively or changing the way retiree health benefits are funded.

These changes would need approval from Congress, the Postal Regulatory Commission or both. And all of these, or something like them, make sense, if they’re the price of saving universal mail delivery, which has helped bind the nation together since the service was founded in 1775.

So, too, does taking a close look at trimming future retiree benefits, which — typical of government — are far more generous than in the private sector.

Some free-market advocates say the answer is to privatize the Postal Service, but it’s unimaginable that any for-profit business would want the job of visiting every address in the USA five or six days a week, for as little as 44 cents, the price of a first-class stamp. Private operators might want to skim off the most profitable urban routes, but not if they also had to go to the end of that road in Alaska. Nor, frankly, would a company want to take over a money-losing, debt-burdened operation like the Postal Service. Yet continuing to pile up unpayable debt is unacceptable.

The answer is a painful retrenchment to make the operation more efficient and better able to cope with the inevitable loss of business. Despite inroads by competitors, last year the Postal Service moved more than 177 billion pieces — cards, letters, bills, magazines, packages and, of course, junk mail — with remarkable efficiency.

Some of this is frivolous, some of it vital, but the capacity to send an envelope or a package anywhere in the country for a reasonable fee is well worth preserving.

Milton hershey school

Posted by – March 8, 2010

Sydnee Allen had to sit through two and a quarter hours of the Academy Awards telecast on Sunday night before she got to see herself on TV.
She and the 11 other sophomore girls who live in the Glenview home at the Milton Hershey School were sitting on the couch, waiting to see the commercial aimed at bringing a national spotlight to the residential school for financially or socially impoverished children.
The girls were excited at the beginning, commenting on the stars’ appearance. “Why does he have that bed head?” one asked about Zac Efron.
“I don’t care about his hair. He’s beautiful,” Sydnee retorted.
They cheered at mentions of the movies they favored — “Precious” and “Up.”
They laughed and joked during the award presentations for best supporting actress, art direction, screenplay and others, but they shushed one another when the commercials came on, hoping to catch a view of their school.
“It’s like the Super Bowl. We’re watching for the commercials,” relief houseparent Gina Daniel said.
They sat through commercials for J.C. Penney, McDonald’s, the iPad, Coke, Hyundai, American Express. ¶
“Not toilet paper,” Sydnee groaned at a Cottonelle commercial.
They started to yawn. Several slumped over on each other, catching naps between the commercials.
“Don’t they know we have bedtime around here?” Sydnee asked plaintively.
The girls get up at 5:30 a.m., houseparent Rick Bell said. Normally, they’re in bed by 9:30 p.m.
The Milton Hershey School commercial finally aired about 10:15 p.m. to shrieks of “There it is!”
In the commercial, some of the children who live at the school talk about a great man named Milton Hershey and what the school means to them.
Sydnee’s face flashed on the screen, with a big smile, her shiny silver braces punctuated by pink rubber bands. She shrieked.
“I’m so excited,” she said.
Afterward, her housemates hugged her and gave her high fives, then headed to bed.
The commercial was paid for by The Hershey Co. and is intended to bring awareness to the school, attracting more children who could use its services and more houseparents to watch over them. It could also be good public relations for the chocolate company.
Sydnee said she thinks the commercial will serve its purpose.
Even though the hours of footage the filmmakers shot were reduced to a few seconds, she thought it was effective. She said the school has given her chances she would not otherwise have.
“Not a lot of people know about this school, but they should,” she said.

Roy disney

Posted by – March 8, 2010

When Walt Disney Co. asked publisher Dan Vado to make a series of comic books based on its Haunted Mansion theme-park ride, he worried the empire built on the likes of Snow White and Tinker Bell would reject his brand of creepy humour. Vado gave Disney skeletons dangling from nooses, scattered corpses and a ghostly poodle that says “crap.” To his surprise, Disney signed off on his vision.

“Everything we did was really strange,” says Vado, founder of San Jose, Calif.-based SLG Publishing, as in Slave Labor Graphics. “The interesting thing about Disney is, for a company perceived as being stodgy, they do a good job of reinventing themselves.”

Disney chief executive Robert Iger, 59, is on a spending spree at the world’s biggest media company to transform his film studio, amusement parks and stores. In fiscal 2009, net income at Disney fell 25 per cent to $3.3 billion US — the worst annual performance in Iger’s five-year reign — and was almost flat in the first quarter of 2010 compared with a year earlier.

The global recession has hammered the company’s 11 theme parks, which are offering promotions and discounts. The Burbank, Calif.-based company’s studio is also struggling: in 2009, it churned out box offi ce flops such as G-Force, which featured wisecracking guinea pigs.

Iger is pouring billions into attracting a new generation of kids — boys, especially — raised on violent video games and reality shows.

In December, Disney completed its $4.3-billion purchase of Marvel Entertainment Inc., home of Iron Man, Spider-Man and the X-Men, paying a 40 per cent premium over the stock price.

The company is now building two additional cruise ships, one of which includes an AquaDuck water coaster that plunges four decks. Park guests will see more-complex, life-size electronic robots made to look like U.S. presidents and Disney characters. And with input from Apple Inc. CEO Steve Jobs, Disney’s largest shareholder, Iger is giving his 350 retail stores a high-tech makeover and opening a new one in New York’s Times Square in the fall.

The total price tag for all of the upgrades through 2014: more than $12.3 billion, according to New York-based Soleil Securities Corp. analyst Alan Gould, a 59 per cent increase over the prior five years.

Investors give mixed reviews of Iger’s moves to refresh the entertainment giant, which was founded as a cartoon studio by Walt Disney and his brother Roy Disney in 1923.

After Iger took over in October 2005, the stock rose 53 per cent to a seven-year peak of $36.30 in May 2007 before crashing in 2009 during the credit crisis to a low of $15.59. From that bottom last March through Feb. 26, the shares doubled to $31.24 as of Feb. 26, beating the Standard & Poor’s 500 index gain of 63 per cent, but lagging rival News Corp.’ s 179 per cent rise.

“What we look for is a company that is constantly refreshing its operations, improving and continuing to build a business, and that’s true of Disney,” says Michael Cuggino, president of San Francisco-based Permanent Portfolio Family of Funds Inc., which owns 720,000 Disney shares.

In December, S&P affirmed its earlier revised outlook on Disney’s debt to negative from stable, citing concerns about the company’s recovery, the growth in spending and threats from deep-pocketed rivals.

“Disney is going to be basically doubling what they are spending,” says James Tarkenton, a managing director at Lateef Investment Management. Greenbrae, Calif.-based Lateef has sold all of the 149,984 Disney shares it held in April 2009. Disney spokeswoman Zenia Mucha declined a request for an interview with Iger.

Iger has proved to be a serial acquirer. Three months after taking the helm as CEO, he agreed to pay $7.4 billion for Pixar, which was co-founded by Jobs, to improve Disney’s flagging animation pipeline. In all, the CEO has snapped up 28 companies in whole or part, according to data compiled by Bloomberg.

When announcing the deal for Marvel and its cast of superheroes in August, Iger said they would add to Disney’s stable of characters and attract more boys to its cable cartoon offerings.

“Content and products for boys have been less consistent for Disney than those for girls,” says UBS AG analyst Michael Morris in New York. “When Disney looks for growth opportunities, it sees big potential with boys.”

Last year, Disney also bought Wideload Games Inc., maker of the violent video game Stubbs the Zombie in Rebel Without a Pulse, featuring brain-eating zombies. And the company rebranded its Toon Disney cable cartoon channel into Disney XD. The channel’s new programming features shows such as Kick Buttowski, aimed at boys age six to 14, the company said.

During a conference call in May, Iger criticized his studio, led by 40-year Disney veteran Dick Cook, which had produced clunkers such as Bedtime Stories about a hotel handyman.

“It’s about choice of films and the execution of the films that have been chosen for production, and we’ve had a rough year in terms of the performance,” Iger said. Four months later, Cook resigned, replaced by Rich Ross, then-president of Disney Channels Worldwide.

Soon after, Ross named new heads of studio production and distribution. “Everyone liked Dick Cook, but the results weren’t coming through,” Gould says.

In 2009, Disney finished No. 5 in box office sales among the six major studios, according to Box Office Mojo.

To fill theatres, Ross, 48, can’t yet rely on several of Marvel’s most popular comic-book characters. They’re tied up in licensing deals: News Corp. has the rights to the X-Men, Sony Corp. controls Spider-Man and Universal Studios Inc. claims several Marvel characters for exclusive use in its Orlando, Fla., theme parks.

Ross has to mine the likes of Captain America, Thor and lesser-known figures like Ant-Man until the bigger superhero licences expire beginning in 2013. The licensing deals soured some analysts on the Marvel purchase.

“Over the long run, we suspect this will be viewed as Mr. Iger’s first major mistake as CEO,” Citigroup Inc. analyst Jason Bazinet wrote in September.

The cove movie

Posted by – March 8, 2010

The Cove Won Best Documentary at the 2010 Oscars. Star Ric O’Barry Held Up a Sign During the Acceptance Speech. What Did the Sign Say?

The Cove won the 2010 Oscar for Best Documentary. The Cove acceptance speech was one of the more memorable moment of the Academy Award broadcast was when Ric O’Barry, the subject of the documentary, held up a sign, but many viewers missed it because cameras quickly cut away.

What Did The Cove Sign Say?
Richard O’Barry’s sign read, “Text Dolphin to 44144.” Presumably, the “Text Dolphin to 44144″ is a way to help stop the dolphin hunt in Taiji, Japan.

So what happens when you text 44144? According to TakePart.com, texting 44144 will sign you up to receive information about the fight to end the slaughter in Taiji.

The Cove depicted O’Barry’s quest to end the killing of dolphins in Taiji. Both O’Barry and producers faced tremendous risks while filming the Cove. O’Barry captured and trained the first five dolphins who played Flipper in the popular 1960s TV series of the same name. O’Barry later regretted his work on the TV show and has dedicated his life to protecting dolphins.

Music by prudence

Posted by – March 8, 2010

“Music by Prudence,” made partly with the financial and creative support of the Maryland Institute College of Art, Baltimore’s MICA, overcame several other strong candidates, including the American labor tragedy “The Last Truck,” to win best short documentary at the 2010 Academy Awards on Sunday night.

Few Oscar films have packed in more profundity per minute than this tale of Prudence Mabhena, 21, and seven other disabled young musicians in Zimbabwe transcending bigotry and isolation through art and fellowship.

“This is amazing. Two years ago when I flew to Zimbabwe, I never imagined I would wind up here,” said Roger Ross Williams, the film’s producer-director, as he accepted the award. “This is for Prudence.”

Many Zimbabweans regard handicaps as signs of sorcery. So singer-songwriter Mabhena and her bandmates in the Afro-fusion marimba group Liyana were stigmatized at birth. Not every band member has an affliction as visible and extreme as Mabhena’s: She suffers from arthrogryposis, a condition that deforms joints and cost her both her legs.

But they all the band members survived brutal or apathetic treatment at the hands of parents and/or siblings who regarded them as stains on the family’s reputation or drags on the family’s fortune.

They found their individual and group voices only when they landed at the King George VI School & Centre for Children with Physical Disabilities in Bulawayo, Zimbabwe. It’s not just an academy but an institution devoted to their physical and psychological care.

In the King George VI School environment, Mabhena was able to dream of reaching an international audience with her singing.

On Oscar night, that audience got a glimpse of her gliding across the red carpet in a green dress, with the film’s producer-director, Roger Ross Williams.

Another school, Baltimore’s MICA, was instrumental in bringing her story to the Academy’s (and now the world’s) attention. Last week, Williams said, “MICA was amazing. I couldn’t have done the film without them.”

Early on, the film’s producer, Elinor Burkett, who first thought Liyana should be captured in a movie, put Williams in touch with Patrick Wright, the chair of MICA’s video and film arts department. Wright lent his own equipment, and some of MICA’s, to Williams for a critical period of early shooting. Wright found seed money for the project, cut trailers to win long-term backing, enlisted students as interns and recommended, as a cinematographer, Errol Webber Jr., who graduated from MICA in 2008 and immediately went to work on the movie.

Recent MICA graduate Matt Davies, who received a credit as production assistant, said that after spending countless hours logging footage, he thought every minute of footage was essential. But when he saw the completed film, he thought it was “marvelous that they packed so much into a short-film format. You get a really good sense of what life is like there, the hardship and what you have to deal with. You could do a half-hour on each member of Liyana, but Prudence’s character, who she is, what she has to deal with, her striving to be positive about her future despite her past, is overwhelming.”

“We all did this because we love Prudence and Liyana,” Wright said at the time of his nomination. “Here were all these young kids, physically disabled, making music in a country falling apart around them. And, here, in the middle, is this beautiful woman who sings like Aretha Franklin.”

Tonight, Prudence Mabhena and her friends got respect.

Apple iPad Coming April 3.

Posted by – March 8, 2010

Apple on Friday disclosed the launch date of its iPad product in a response to rumours about the potential delay of the device. The iPad is coming in on April 3, 2010.

“A magical and revolutionary product at an unbelievable price. […] Coming April 3,” a statement on Apple’s web-site reads. Apple also said that it would start to accept pre-orders onto the iPad slate-type personal computers on the 12th of March. Apple iPad is based on Apple’s own A4 system-on-chip designed by PA Semi team that contains ARM processor core at 1GHz. The SoC is tailored for ultra-mobile applications and can enable device to work for up to 10 hours in active mode (reading, watching videos or listening to music) with display brightness reduced by 50%. The iPad is equipped with 9.7” multi-touch IPS LCD screen with 768×1024 resolution; 16GB, 32GB or 64GB of flash storage; USB, Wi-Fi 802.11n, Bluetooth 2.1+EDR and 3G (special versions only) connectivity as well as SD card reader. The product is 9.56” (24.3cm) in height, 7.47” (19cm) in width and has 0.5” (1.3cm) thickness. Apple iPad weighs 1.5 pounds (0.68kg). The tablet PC runs iPhone OS 3.2 with all of its pros and cons and can also run applications developed for iPhone as well as specially designed software.

iPad will be available for a suggested retail price of $499 for the 16GB model, $599 for the 32GB model, $699 for the 64GB model. The Wi-Fi + 3G models of iPad will be available in later in the U.S. and selected countries for a suggested retail price of $629 for the 16GB model, $729 for the 32GB model and $829 for the 64GB model. International pricing and worldwide availability will be announced at a later date. iBookstore will be available in the U.S. only at launch

BSNL launches 3G Service

Posted by – March 8, 2010

I took the BSNL EVDO some 6 months back in Bangalore from the BSNL office at National Games Village, Koramangala as there was some offer going on at that time. The device which normally cost Rs.3500 was being offered for just Rs.2000 with a monthly rental of Rs.750 for the unlimited full speed of 2.4Mbps.

I took the EVDO card because many people on the internet have suggested the same and some of these people were getting up to 2Mbps speed. I thought that was hell of a speed for just Rs.750. But then, when I started using the card in JP Nagar, I started receiving half the network and a maximum speed of some 2-5kb/sec download and browsing speed. That was approx 40kbps!

Later I realized that BSNL EVDO card internet speed is completely dependent on the network coverage and quality. I do believe that some people have got the real speed, but in my case the speed was just awful.

So, bottom line, test the speed in your area before actually buying the BSNL EVDO card. The maximum internet speed attainable in your area is fully dependent on the network coverage and network quality. And not all city area are not covered fully with BSNL EVDO network, at least not yet. So, test it before buying and don’t cry later.

And yeah, the BSNL EVDO tariff plans keep changing. I suggest your contact the BSNL helpline directly for the latest tariff plans.

vinnai thandi varuvaya video songs download

Posted by – March 8, 2010

Stars of Vinnaithaandi Varuvaaya:
Silambarasan (Karthik)
Trisha Krishnan (Jessie)
Babu Antony (Jessie’s father)
Uma Padmanaban (Karthik´s mother)
Naga Chaitanya in a guest appearance
Samantha Ruth Prabhu in a guest appearance
K. S. Ravikumar (himself)
Crew of Vinnaithaandi Varuvaaya:
Writer, Directer: Gautham Menon
Producer: P. Madan, J. Ganesh, Kumar and Jayaraman
Editor: Anthony
Music: A. R. Rahman
Cinematography: Manoj Paramahamsa
Choreography: Flexi Stu
Lyrics: Thamarai, Kalyani Menon, Kaithapram
Art: RajeevanStunts: Silva
Publicity Stills: G.Venketram
Banner: Escape Artists Motion Pictures & R. S. Infotainment
Tracklist:

Omana Penne
Singers : Benny Dayal, Kalyani Menon
Malayalam Lyrics : Kalyani Menon
Anbil Avan
Singers : Devan Ekambaram, Chinmayi
Vinnaithaandi Varuvaayaa
Singers : Karthik
Additional vox : Vivek Agarwal
Hosanna
Singers : Vijay Prakash, Suzanne, Blaaze
English Rap Lyrics : Blaaze
Kannukkul Kannai
Singers : Naresh Iyer
Mannipaaya
Singers: A.R.Rahman, Shreya Ghoshal
Aaoromale
Singers: Alphonse
Malayalam Lyrics : Kaithapram

Oscar Winners 2010: Sandra Bullock Wins Best Actress in “The Blindside”

Posted by – March 8, 2010

The awards aired this evening with hosts Alec Baldwin and Steve Martin.

The tally for Oscars for each film:

Avatar – 3
The Blind Side – 1
The Cove – 1
Crazy Heart – 2
El Secreto de Sus Ojos – 1
The Hurt Locker – 6
Inglourious Basterds – 1
Logorama – 1
Music by Prudence – 1
The New Tenants – 1
Precious: Based on the Novel ‘Push’ by Sapphire – 2
Star Trek – 1
Up – 2
The Young Victoria – 1

‘Kavi’ loses Oscar to ‘The New Tenants’

Posted by – March 8, 2010

American director Gregg Helvey’s 19-minute film “Kavi”, about a young boy who wants to play cricket and go to school, but is forced to work in a brick kiln, lost the best short film, live action Oscar to “The New Tenants”.
Joachim Back and Tivi Magnusson walked away with the award for telling the story of a prying neighbour, a glassy-eyed drug dealer, and a husband brandishing both a weapon and a vendetta in “The New Tenants”.